视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。中国女排正积极训练准备参加粉碎“四人帮”后第一个国际锦标赛。队医韩医生（卢君 饰）告诉主力队员沙鸥(常珊珊 饰)，她腰部严重劳损，需要尽快休养，因此她未列入出国名单。沙鸥执意要参加出国比赛训练，母亲(江韵辉 饰)为了她的健康也劝她离队，同在国家登山队队员的未婚夫沈大威（郭碧川 饰）却支持她，她战胜伤痛坚持训练，终于获准出国参赛。沙鸥在比赛中获得银牌，在归国的轮船上沙鸥痛心的将银牌丢进了大海。不久，沈大威在攀登珠穆拉玛峰时遇雪崩遇难，事业和失去亲人双重打击，使沙鸥陷入极大的痛苦中。她慢慢的重新振作起来，担任了女排教练。数年后她培养的女排姑娘们战胜了日本女排。此时已瘫痪坐在医院轮椅上的沙鸥在电视上观看比赛......。