视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。14岁的女生在干些什么？上着初中，还是小孩的脸，内心对成熟大人的世界充满好奇，爱做梦，爱胡思乱想，整天都元气满满。在没有怀孕之前，14岁的一之濑未希（志田未来 饰）和所有这个年纪的女生一样。 因为补习的关系，未希认识了比自己高一年级的男生桐野智志（三浦春马 饰），两人开始交往，一次意外事故，让两人初尝禁果，结果导致了未希怀孕。刚开始得知自己怀孕的未希无法接受这个事实，昨日还是小孩子的自己，为什么突然间变成了大人，一味的哭也无济于事。桐野知道后只是懦弱的选择逃避，家人和朋友也劝未希就此打住，但在这个过程中，未希反到愈发坚持想要把小孩生下来。这个决定在学校和街坊间引起了不小的议论，14的母亲未希面对的是荆棘丛生的艰难之旅，但她依然决定和肚里的孩子一起走下去。。
