视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。四个小学生石磊、林菲、钟鑫和陈幻来自不同家庭，每个人的性格各异，他们在共同经历一段扣人心弦的故事后，从各种误解中结成了深厚的友谊。石磊的父亲是市刑侦大队长、母亲是记者，父母都是工作狂，成为邪恶势力报复的对象，身处险境，自信且有智谋；林菲母亲是医院的护士，父亲去逝后与母亲相依为命，敏感而自强；钟鑫的父母均在国外工作，家境殷实由姥姥在国内抚养，经常闯祸，个性张扬而骄傲；陈幻的父亲向他隐瞒了母亲去逝的内情，带他来到城市借读，自卑而内向。。简介： 19岁的丹尼在单亲家庭中长大。小时候，因为同志父亲，丹尼被迫退学，父子俩也不得不搬家。 父亲一直担心他长大也成为同志，从小对他严加约束，不许他接触有同志倾向的东西，也从不和他有任何亲昵的动作。然而，叛逆的丹尼却不顾父亲反对，一心想往时尚界发展。有一天他与父亲大吵了一架后离开了家。为了谋生，他在一家同志酒吧里做脱衣舞男…… 观众点评： 不知道这部片子算不算所谓的同志片。偶个人看法，没有必要把界限划分得那么清晰，同志生活和主流有一定距离，但也无须隔绝为另类文化。让主流以异样的眼光看待我们，本身就是对自己认同的一种退步。 电影主题很好，一个在单亲同志家庭里长大的青少年的困惑。用丹尼的怨言来说，别人谁都没有把丹尼当作同志，唯有他爸爸。（丹尼长得很帅气，很爱美，但他是直人） 故事设定的背景有些不实。丹尼的爸爸，仅仅因为孩子在学校受到了歧视，怕自己会影响...。
