视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。学识与魅力并存的大学教授埃文•贝赫场，表面家庭事业双丰收，私下与多个女大学生关系暧昧，身为哲学教授他自认为滴水不漏。直到埃文的学生乔伊斯的离奇失踪并死亡，警探马洛伊开始调查案件的始末，种种迹象表明埃文就是凶手，但马洛伊始终找不到确凿证据。案件进入僵局时，埃文的妻子与埃文决裂，搅乱了这场高智商的对决。当埃文被逼入绝境时，警探马洛伊找到的证据却证明埃文无罪，凶手到底是谁？看不见的真相一步步陷入漩涡迷局！。清朝末年，从不败诉的潮汕第一鬼才状师夏雨来一生都在行侠仗义，但因其“夏狐狸”式的行事作风，屡屡与理想成为大清首位女状师的女儿夏来碧产生矛盾。 彼时外国资本势力强势入侵潮汕商业市场，在一连串啼笑皆非的民间案件和商战后，夏家父女逐渐发现外国势力背后的可怕阴谋。此时，女儿却被污蔑为杀人放火的凶手，父亲为此站上公堂以唇枪舌剑对抗奸商恶官。最后，父女同心，团结潮汕百姓，展开了“胶己人”与外敌的殊死对决……。
