视频简介
井原满（中尾明庆饰）自幼就失去了双亲，在孤儿院中长大，对于年幼的他来说，孤儿院就是他的整个世界。成年之后，阿满离开了孤儿院，来到了宫园食品综合公司上班，虽然在这里他只是一名保洁，但为了不让孤儿院的家人们担心，他对他们谎称自己是公司里的正式员工。 一直以来，食品公司内部都在举办着名为“Food FIGHTER”的大胃王比赛，这些比赛是为了取悦那些丧失了食欲的有钱人而存在的。在比赛中，阿满展现出了惊人的实力，并且接二连三的获得胜利，他将比赛得到的全部奖金都捐给了孤儿院。阿满的天赋很快就吸引了比赛主事人的注意。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
